ambient music

second album from barcelona based drop collective, fusing jamaican influences and jazz.

phat deep house compilation

the fourth album from belgian band intergalactic lovers.

3 x cds

remastered album plus rarities, demos and new remixes - gatefold with gold foil

reissue

a twin release from australian improvising ensemble tangents.

welcome to future dance club, a place for freedom of expression, smiles and dancing. an inclusive space, where we remember, once again, what its like to dance with old friends.

subset is the featured artist for the 17th greyscale full-length. named >this quiet earth<, this 9 track heavyweight of dubby goodness offers a consistent variety of spatialness while the atmosphere clearly surrounds you with its innate charm. heavy chords are consistent characteristic here while the beats are strong and favor more of a steady low tempo. tracks like >the rivers are dry< and >trippy specs< are soaked in reverb with an old skool dub sound while >the community of worlds< and >two halves< are another pair of deep-seated scenic heaters. the steady static over many tracks give off a language of communication to the listener that balances the organic elements extremely well. >lucys sky dreams< is not unlike a classic echospace track with tremendous depth that has you on the edge of your seat. a gentle album across the board that still has a reserved serious tone to it. another fine addition to the camp, subsets debut with us is a memorable one.

phat remixes. tip!

alternative from sweden

reissue

mix cd + dl code special remarks: cd features mixed version by andras (74:30 min), plus download code including all tracks in full length.

1905-2007

second album from leifur james.

mr. scruff delivers a head-spinning melange of grooves for the next dj-kicks installment.

a collection of 25 tracks from yann tiersen

new high recommended hip hop album by georgia anne muldrow

originally released in 1986

this is a masterclass in the old-school. the roots. there is no filler here, its simply all killer.

jay-jay manages to capture us with his melancholy voice, singing haunting melodies, dressed up in mysterious sounds and experimental drum beats.

cd incl. 4-seit. softpack-sleeve mit 12-seit. booklet

h a s t, founded by alto saxophone player rob banken, is an instrumental band rooted in jazz, heavy rock and improvisation. their signature sound can best be described as not shying away from exploratory intellect while still maintaining passages of stunning simplicity, rock riffs and free improvisation.

new robert hood album !

mac-talla nan creag is channeling ancient rites, the mysteries of the scottish landscape and its elements through technologies both old and new for your listening pleasure.

infotext hamburg citys adana twins have made short work between their time joining the watergate camp to jumping into the spotlight helming the latest watergate mix compilation. the duo step up to deliver a thrilling and complex trek into the dramatic, emotionally-charged fields with their distinct brand of techno making it abundantly clear the two have a voice that needs to be heard. over the course of sixteen tracks adana twins weave a vivid musical tale having acquired an assortment of exclusive unreleased material from their crew of likeminded and extremely talented friends like acid pauli, sbth, upercent, lehar, daniel bortz & sascha sibler, aaaron, andrŽ hommen, and musumeci among others. besides their friends, adana twins contribute three originals to the mix including an absolute monster remix of patrice bŠumels decade old track Ôroar which has already received huge praise and tons of plays from heavyweights like tale of us and solomun receiving massive reactions every time its played. not only is the mix a stellar display of the duos mixing and storytelling prowess, but all tracks from the mix, minus adana twins Ôpavan which will see its release on their own imprint tau, are exclusive to watergate and will be released as separate eps following the mix release.

we return with the sixth installment of the beloved stil vor talent berlin compilation series, which brings forth a group of old and new faces, who exclusively contributed unreleased tracks, gathered under the umbrella of berlins best repurposed space. since flughafen tempelhof ceased operating in 2008, it has given hours upon hours of joy and peace to the cityÕs public in the form of tempelhoferfeld, a gigantic park crisscrossed by the airports former runways. the perfect retreat to unwind in, right on the border of kreuzberg and neukšlln. as always, music is the common denominator and oliver koletzki delivers the perfect soundtrack with this new release, while chrisse kunst renders the visuals.

luke viberts technicolor-schwenk durch die welt des modernen funk. kerrier district nennt sich das funkige acid-dance-projekt des englischen elektronikkŸnstlers luke vibert. nach einem debŸtalbum - erschienen 2004 auf dem label rephlex und zwei maxis erscheint mit 4 erneut ein longplayer. die 14 tracks sind eine gro§artige collage aus samples und beats, old-school-drum-loops, sehr viel acid-funk und intensiver elektronik-disco. inspirieren lie§ sich vibert zum teil von der legendŠren ep -black devil disco club- von bernard fevre aus dem jahr 1978, die seitdem viele musiker beeinflusst hat. schaut man sich die trackliste mit titeln wie treacle tits und -discuntek an, erkennt man zwar eine portion kauzigen humors, doch sollte das nicht zur fehlannahme verleiten, vibert wŸrde seinen job nicht ernst nehmen. im gegenteil: 4, das auf cd und als trippel-lp erscheint, ist ein technicolor-schwenk durch die welt des modernen wohlfŸhl-funk, basierend auf einer unmenge an material, lustvoller programmierung und fetten bŠssen. der sommer kann kommen.

wrwtfww records is over the moon to announce the official reissue of legendary album ki-motion by japanese percussionist midori takadas mkwaju ensemble, sourced from the original masters and available in two versions: a vinyl lp cut at emil berliner studios and housed in 350g old stoughton tip-on sleeve, and a digipak cd. a highly creative and transcendental fusion of marimba, vibraphone, bamboo percussion and synthesizers, ki-motion was recorded in 1981 and captures the birth of midori takadas exploration of minimalism, african rhythmic tradition, and ambient music. the album takes its conceptual inspiration from the tamarind ( ÔmkwajuÕ in swahili), a drought resistant tree notably used to craft some of the first mallets and marimbas but also known for its culinary and medical uses, an essential symbol of life and identity for the central african grasslands. drawing from the regions culture and music as well as the crucial notion that rhythms represent the very fabric of life, midori takada leads her ensemble into environmental heaven to create one of the highlights of her recording career and an absolute must-have from the golden age of japanese ambient the ideal companion to her majestic through the looking glass opus!

following 2017Õs Ôpath of ruinÕ, dj richard returns to dial with his much-anticipated sophomore lp, Ôdies ir¾ xeroxÕ. undoubtedly one of the most distinctive and fully-formed electronic producers in recent memory, dj richard imprinted the sound of a bubbling us underground with his label, white material, founded in 2012 alongside young male.

its a funny old world, and yet again, the black dog have provided the soundtrack. our fast-approaching dystopia has been envisioned and documented by the band for decades. now, the black dogs two new albums, post -truth and black daisy wheel, translate their growing horror into some of their most accessible and impactful music, translating our manufactured reality into high energy dancefloor constructions on post -truth, and reflective ambient excursions on black daisy wheel.

itÕs a funny old world, and yet again, the black dog have provided the soundtrack. our fast-approaching dystopia has been envisioned and documented by the band for decades. now, the black dogÕs two new albums, post - truth and black daisy wheel, translate their growing horror into some of their most accessible and impactful music, translating our manufactured reality into high energy dancefloor constructions on post -truth, and reflective ambient excursions on black daisy wheel.

discover le deltaplane, fifth album by andre solomko, and third produced on favorite recordings, pursuing a collaboration that started more than 5 years ago. born in ukraine in 1965 and now based in finland, andre solomko is primarily a rich and engaging personality, but above all, a brilliant saxophonist, composer and engineer, whose contagious passion cannot leave anyone indifferent. between 2012 and 2014, he and favorite recordings released 2 albums, o� es-tu maintenant ? and le polaroid, hailed by many tastemakers and meeting notable success in japan. following le premier disco sans toi, an acclaimed single unveiling two new compositions with disco flavors, andre solomko and favorite recordings also proudly present le deltaplane. fully composed and arranged by andre solomko, the 6 tracks of the album are deeply infused with his longtime passion for jazz-funk and movie-soundtracks, this time also injecting more influences from westcoast and modern-soul music. andre solomko, an artist who spreads love like in the good old days!

2018er ausgabe der drum & bass-compilation. mit 60 top-tracks, darunter drei exclusives (benny l feat. pastry maker old days, kumarachi feat. kat kyrris still here, monty 48 hours). incl. downloadcode mit den drei mix-sets, sowie zu allen 60 tracks, ausgespielt in voller lŠnge. featuring andy c, the prototypes, dimension, friction, high contrast, brookes brothers, marcus intalex, total science, kove, macky gee, the upbeats, alix perez, rockwell

we are living in precarious times. a senile, racist old man prone to temper tantrums has his tiny hands on the controls of the most powerful military machine the world has ever known. a handful of his (no less dangerous) international business associates and personal friends possess more collective wealth than the rest of us put together. the oceans and forests of the planet are dying slow deaths by asphyxiation, force fed 300 million tons of single use plastic garbage every year, and the temperature, both literal and rhetorical, rises the world over with each passing day.

super-jewel case, 8 page booklet
everything begins with changes, whether you re moving geographically or emotionally. aeraÕs album ãthe sound pathÓ tells the story of this sentiment.
born in the high north of germany and now a berlin resident, ralf schmidt aka aera first appeared on the electronic music map when he established his own aleph music label back in 2010. with only a handful of releases, aera was able to lay out his very own musically topography on the cutting edges between house, psychedelia and breakbeats. this colourful mix culminated on his debut album ãoffseason travellerÓ in 2013, resonating the past forty years of electronic music, which brought him the attention of a wider audience as well as fellow djs and producers. so it was a logical consequence that his talent also attracted other labels and lead to widely praised releases on innervisions, maeve or john talabotÕs hivern discs. with these, aeraÕs sound bloomed further into bubbly acid and trancey territorries and his fine reputation as a singular producer, travelling dj and remixer flourished. with ãthe sound pathÓ aera continues his musical travels and permanent vacation is gladly hitchhiking on that ride. his second album is the most coherent and definitely most personal work to date. here, he has perfected his sound even further - adding nuances from the meadows of new age, kraut cliffs and high-flying kites of ambient. complete with the cinematic and nature-esque qualities of ralfÕs music, it will draw you in deeply through a great variety of landscapes before your inner eye. however, youÕll never lose track, because this path is beautifully illuminated.

shakarchi & stranŽus inhabit a secret place in the universe of music, one existing at the intersection of scandinavian poplands, hisingen forest raves and outernational placelessness. faik shakarchi and daniel stranŽus famously started making beats together in the gothenburg tapas-joint coat check where they both worked as clerks. their now 10 years old friendship is the story of legends, their sparse vinyl output the secret love of deep house 12 enthusiasts round the globe the warm, vibrant sounds found on those records a stark contrast to the stripped-down effectiveness of their marathon dj sets, frequently heard within the more nefarious examples of gbg nightlife.

we are back in the hauptstadt (berlin capital) with the fifth installment of the * stil vor talent berlin* compilation series, which brings forth a group of old and new faces, who exclusively contributed unreleased tracks, gathered under the umbrella of one of berlins most iconic spots. frankfurter tor is the gateway to one of our favourite districts: good old friedrichshain. loud, left and a little dirty, it houses some of the cityÕs best clubs, markets and musicians, oliver koletzki included. its two towers stand as metaphorical guards to an area that has plenty to offer and asks for little in return, instantly making it feel like home. as always, music is the common denominator and oliver koletzki delivers the perfect soundtrack with this new release, while chrisse kunst renders the visuals.

dj-kicks start 2018 in fine style with another vital entry into their long running series. the latest comes from swiss dj and producer deetron on march 3rd 2018, and features an exclusive solo track as well as exclusive collaborations with steve spacek, jinadu and jamie lidell. as one of the other most famous musical exports from his swiss homeland, he has pretty much done it all from fabric and balance mix cds to running his own label, from essential albums like twisted and music over matter on music man records to club focussed 12Ós on will saulÕs aus music and french label circus company. after 20 years in the game, he is still in demand at key clubs around the world, and is sufficiently respected as to be able to call on big names like seth troxler, cooly g and ben westbeech for collaborations.

guizmo has for many years left a strong imprint in the french rap scene with his unique personal universe and an acknowledged gift to writing. three years after release the album dans ma ruche and the surprise street album gpg 1? in 2016, the singles of this fifth album are already receiving praises from the fans and the medias, paving the way for another success for the 26-year old rapper. guizmo is a viral sensation and strategizes his own social campaigns to reach his fans directly. hes gathered 400+k followers on youtube and 160+m views, 730+k facebook fans, 100+k twitter followers and more than 95k followers on instagram

just as magnified record grooves reveal dust constellations and lunar landscapes, so too does godblesscomputers third album. solchi is a deep search into previous moments in lorenzo nadas lifetime, influenced by the presence and power of music. his process began with the recovery of some old cassettes, mixtapes nearly forgotten, audio recording of voices from his childhood, and lots of dusty jazz, soul, and hip-hop records. as the starting point of this travel merge with its end, past and present combine to form gbcs current sound. warm electronic production rooted by grooving bass lines form the core of a kaleidoscope of sixteen tracks, colored by synthesizers, guitar echoes, scratches, samples, fading voices and kalimba. the album is a collection of sixteen stories, sixteen soundscapes, each of them gbcs tribute to the path taken thus far, an homage to his love for music. the recording and studio work took place over a year, with the adding and subtracting of many elements.

>what was old is new again<. the old adage is so tired that nobody takes its proper measure: all people hear is the word old, when the important one is new. making new things out of old things is an act of alchemy. the proof is in this fifth album no rest for the wicked of perpignan which is blown right open here and there by a few very contemporary guests.

a remastered version of shenzhou on triple vinyl and double cd with the bonus album-the samphire tower. paul cooper, pitchfork: shenzhou, aside from being the name of the chinese manned-spaceflight vehicles, means magic vessel, and i cant imagine a more apt description for geir jenssen s latest excursion into ambient deep listening. after following an aphexian trajectory with his releases on apollo, the ambient sublabel of belgiums r&s records, jenssen veered from the padded sci-fi-inspired techno of microgravity and patashnik with 1997s substrata, a genre-defining exploration of drifting soundscapes. substrata remains for many the album that perfectly expresses the serenity and intensity of arctic wildernesses, a landscape jenssen knows intimately, having spent much of his life in the norwegian arctic circle. in 2000, jenssen nearly eclipsed the success of substrata with cirque, a frequently frosty submerging of excerpted conversations and found environmental sounds that rivals wolfgang voigts gas project in its rumbling, gauzy beauty. jenssen again relies on found sound as source material for shenzhou, but this time, the found sound is old vinyl recordings of the orchestral works of french impressionist composer and ambient precursor, claude debussy. jenssen lifts fragments of these scratched records in a similar manner as he did for cirques black lamb grey falcon and iberia eterea

hot off the heels of the beautiful obsolete machines lp released this month, radiuss cassette demo restoration project returns to form with the interpolation tapes series. the original source tapes had aged, warped and degraded and as a result we ve preserved the best segments, sampled and reprocessed with a vintage prophet 2000 sampler, studio 440 and various linn samplers to add depth and range to the original source material. we ve spent nearly an entire year restoring and interpolating over 100 hours of music, processing sound and redesigning the blueprints of this long forgotten project. every track was originally recorded down to an old tascam 688, an 8 track cassette recorder purchased and abused since 1992 and to our ears still sounds quite impressive even by modern standards. we ve had nearly every component replaced and re-calibrated to bring this obsolete machine back to life. it s been a truly nostalgic experience re-visiting and re-arranging these masters, regardless of the time passed, there s so much depth in sound design, raw emotions and when considering the limitations of hardware in the era these were recorded, they ve truly aged like a fine wine. we hope you enjoy this magical time in music, as we are very inspired by all that was happening in those years, theres undeniably something in the air, a mystifying energy, long may it live on.

this is gajek. this is 17. come in, feel free. dont worry if you see a flute in the sink. matti gajek s followup to his 2014 debut album restless shapes opens the floodgates to signals from a future best navigated by ear. moving through polyphonic pulses, layers of grooves and sounds, zooming in and out of ever evolving patterns of concentration and decomposition, the ten tracks of gajeks 17 are electrifyingly futuristic clubmusic true to the almost five decades old motto of berlins zodiak free arts lab: ãtotal freie musik - totally free music. paying tribute to electronic pioneers like hans-joachim roedelius and florian fricke while staying clear of historical mystification gajek revisits the abstract clarity and improvisational audacity of 1970s electronics from a perspective this is not 71. today motoric rhythms emerge and elapse from postdigital aural scapes, intense and sublime, linking the thermodynamic to the ephemeral. beyond the echoes of past utopias 17 discovers present signs for possible tomorrows.

fee fire ist der neue film von ben wheatley (high rise, sightseers,kill list, down terrrace) mit brie larson und cillian murphy in den hauptrollen und martin scorsese als ausfŸhrendem produzenten. der titel bezieht sich auf den epischen shoot-out in diesem coolen 70er jahre gangster-movie. der score stammt von geoff barrow (portishead, beak) und ben salisbury. das album enthŠlt zudem dialoge aus dem film und lizensierte stŸcke von kŸnstlern wie the real kids, creedence clearwater revival und john denver. cd wie doppel-lp enthalten eine zusŠtzliche download card, die nicht nur die stŸcke des albums sondern auch zusŠtzliches material enthalten. die doppel-lp (140g) erscheint in einem gatefold-sleeve, das vinyl ist silberfarben